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Teresa of Avila – An Ancient Mystic Who Helped Shape Today’s Spiritual Formation Movement
By Carolyn A. Greene
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And still they told me my visions were the work of evil spirits! For six years, I was on trial . . . six years! So many prayers and masses said, I grew weary of them all! Yet still the trances and favors have become more violent and frequent . . . oh, I am in distress, such great distress. I am weary, and so tired . . . so very, very tired.—Teresa of Avila
Teresa of Avila was a Carmelite nun who was born in Spain in 1515. As a young girl with an active imagination and great love for books, she was profoundly affected by her mother’s death, which left her emotionally empty. In despair, she threw herself before an image of the Virgin Mary and begged her to be her new mother. This extreme devotion to the Mother Mary soon gave way to an interest in fashion as her beauty blossomed. With it, the passion for reading, writing, and romance was rekindled. Teresa’s concerned father sent her away to boarding school at an Augustinian convent. However, when Teresa fell dreadfully ill with malaria, the nuns sent for her father who came to take her home.Recuperating from the serious illness and suffering from headaches, Teresa read a book given to her from her uncle called The Third Spiritual Alphabet by Francisco de Osuna, from which she learned the practice of the prayer of recollection.* Though previously not interested in reading about such things, her illness had transformed her into a more serious kind of girl. She soon learned to practice “the prayer of quiet,”** a state where the soul is completely absorbed.
Weary of the worldly things that had once given her pleasure, she made secret plans to escape to the Carmelite Monastery without consent from her father and pursue a serious life of prayer, as her uncle had been urging her to do. Teresa later wrote about receiving “favors” that the Lord granted her as she continued to practice her “mental prayer” and the prayer of quiet, two stages of mystical prayer.
Teresa referred to these favors, or trance states of mystical ecstasy, as “true union.” Some of her contemporaries who observed these experiences were concerned about Teresa.
“Where is she anyway?” said Sister Catherine, who had just come in with a basket full of freshly picked tomatoes.
The cell was cold. There was no table or chair. Only a rough, straw mattress in the corner provided any reprieve for the room’s sole occupant. A barefoot nun in a clean but worn habit of coarse serge knelt near the window. The last glimmer of evening light softened the lines on her aging face. Her sparse ink supply allowed no rewriting, but there was no need to reread the lines she had already written. Having commanded her to record her experiences, her confessors would weigh her story on the Inquisition’s scale of heresy.

The famous marble statue called “Ecstasy of Saint Teresa” by Gianlorenzo Bernini depicts the sensual scene of the mystical experience described by Teresa of her encounter with an angel. She is reclined on a cloud with her head thrown back awaiting the thrust of the angel’s golden spear.
There had been other incidents as well. Teresa’s friend, a bishop, once saw her grab the bars of an altar grill during communion to prevent herself from rising into the air, as she cried out to be delivered from her ecstasy. Numerous times, and on different occasions, many others had also seen her raised from the ground. Sister Teresa had always called these experiences “Favors of His Majesty.”
As instructed by her advisors, Teresa wrote everything she knew about entering what she called the interior castle or inner rooms of the soul. She believed the key to achieving union with Christ in the center room was by way of prayer.
“As you wished, I have written everything I know.” Teresa nervously set her papers on the table before her confessors. The religious directors had ordered her to write about her method of mental prayer—her interior castle—as a book of instruction for her nuns. She had been careful to refer to herself in the third person throughout the book, as she was always under the watchful stare of her superiors. It had been a difficult task.
Tired and aching, she made the sign of the cross and hurried back to the convent. Perhaps she could distract herself from the inner turmoil by spinning more wool.
Teresa referred to the final stage of her “spiritual betrothal” prayer process as “rapture.” In this deepest trance state, she experienced “delectable pain” that penetrated the bowels of the soul.
In her latter years, Teresa seemed to be increasingly fearful of these favors, or painful bouts of spiritual ecstasy and levitation which she could no longer control.
“Whenever I have tried to resist the onset of a rapture, it has felt like a powerful force was lifting me from the soles of my feet. I don’t know what to compare this force to. It is far more cataclysmic than anything I’ve experienced in the previous stages of prayer. The struggle is so ferocious that it utterly wears me out. But in the end, fighting is futile. If this is the Beloved’s desire, there is no power equal to his . . .
The Bible teaches us that the believer who is born of the Spirit is still in control of his senses or as Paul puts it, “the spirit of the prophets are subject to the prophets. For God is not the author of confusion, but of peace, as in all the churches of the saints” (1 Corinthians 14: 32-33; emphasis added).A Christian is not taken over by the Holy Spirit like a demonically possessed person. While God often works in ways we can’t understand, we will not experience weird things like levitation and psychic detachment that knocks us out and leaves us feeling physically sore. Anyone who practices the contemplative prayer techniques of mystics like Teresa of Avila is stepping into dangerous spiritual territory.After founding the Discalced Carmelites (barefoot nuns), Teresa of Avila fell ill and died at the age of sixty-seven. Even though her writings were controversial and she was interrogated during the Inquisition for heresy, she was later declared a Doctor of the Roman Catholic Church for her teaching on prayer and today, she is often looked to as a viable resource on prayer.
1. http://www.dwillard.org/resources/RecReading.asp.
2. The interview where Rick Warren said this can be viewed at: https://www.youtube.com/watch?v=dVCY8pW-ACs.)
3. Peter Scazerro, “My Top 10 Books: Spring/Summer 2013” (http://www.emotionallyhealthy.org/2013-books-i-am-reading/).
Cover: Painting by Baron François Gérard (French, 1770-1837), 1827, “Saint Theresa.” The photo used is a reproduction of a work that is in the public domain; taken from Wikipedia.
Page 4: Paul Hill, “St. Theresa of the Child Jesus,” used with permission from istockphoto.com.
Page 16: Painting by Peter Paul Reubens in 1615. The photo used is a reproduction of a work that is in the public domain; taken from Wikipedia.
Back cover: From fotosearch.com; used with permission.
Note: The books listed in this bibliography should not be considered a recommendation. The author of Castles in the Sand and this booklet has used these books for research as well as for citing.
Hodder & Stroughton Christian Classics
Edited by Halcyon Backhouse, 1988
Harper Collins Spiritual Classics, 2004
Orbis Books Volume III, 2003
ICS Publications, 1976; http://books.google.ca/books?id=lpo1vV1kXDUC&printsec=frontcover#v=onepage&q&f=false.
Paulist Press, Translated by M.E. Giles.
The Classics of Western Spirituality, 1981.
London: Thomas Baker, I, Soho Square. Translated from the Spanish, 1902, http://digital.library.upenn.edu/women/teresa/letters/letters.html.
With Additional Notes and an Introduction by Rev. Fr. Benedict Zimmerman, O.C.D.; http://www.ccel.org/ccel/teresa/life.html.
HarperCollins, 1992, First Edition.